Last year at this time, the Metropolitan Museum of Art hosted an incredible exhibit titled "The Perfect Medium: Photography and the Occult." The exhibit consisted of pictures from the late 19th century that were used to trick people into believing that the new-fangled cameras could capture the paranormal. The picture above was taken by a French gentleman who became wildly wealthy from his extra-sensory photos (he was also arrested for fraud later in his life). The photos were often created by double exposure, creating the ghostly, haunting image next to a much more solid one.This is all fine and good and interesting, but what was really fascinating was the other pictures in the exhibit--pictures of people with their ghostly loved on
es looking over them, protecting them, it seems. In this case, the photographer would either use a nondescript enough model that it could pass for anyone, or he would take a picture of the actual person and fade it enough that the ghost looked related, but different. He would then put one plate on top of the other to create the full, final image.The aspect of this that really captivated me was this longing for your loved ones, a pressing, burning desire to know that when they died, they didn't disappear. Photography was a new enough medium that it was still surrounded by superstition and mysticism, and it was not such a far stretch to believe that it was possible to capture parts of the world that are uncapturable to the naked senses, particularly the world of spirits and paranormal phenomenon.
This desire is perfectly understandable. It's horrible to lose those you love, and incredibly reassuring to discover that they are still there, just over your shoulder--unseen, but present. Of course, this was just an illusion. A particularly cruel one, and the photographers were punished for their role in the trickery.
I remember after my grandmother died, my mom found a tape from the answering machine that had a recording of my grandma's voice on it. For a brief, delightful moment, it seemed as if my grandma was still there--unseen, but present. Then, of course, the realization that it was only a recording set in, along with the fresh pain of her absence. I also have a tape of my friend speaking at his mission farewell; the talk delivered a few weeks before he died. I've never worked up the courage to listen to it, but it's reassuring to know that his voice is still there, just the same. And perhaps it is this melancholy reassurance that makes the photographs so interesting to me as well.
~L
